"Where I Stand"
Norris Kelly Smith
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Introduction
The Lost Tavolette
On the Relation of Perspective to Character
Two Allegiances
Perspectives on the Last Supper
An Eccentric Stance (Uccello)
Family and Church
End of the Matter
Epilogue
My Conclusions
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John White:
The Birth and Rebirth of Pictorial Space
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Introduction
Upper Church of San Francesco, Assisi
Giotto: The Arena Chapel
Giotto: Bardi and Peruzzi Chapels
Early Sienese Masters
Maso Di Banco
Lorenzetti
Late 14th C. Painting and the Meaning of the Picture
The Development of the Theory of Artificial Perspective
Masaccio
Masolino
Donatello and Ghiberti
Filippo Lippi
Illusionism and Perspective
Manuscript Illumination in France
Spatial Design in Antiquity
Present Problems
My Conclusions
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Martin Kemp:
The Science of Art: Optical Themes in Western Art
from Brunelleschi to Seurat
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The Science of Art: Introduction
Linear Perspective from Brunelleschi to Leonardo
Linear Perspective from Durer to Galileo
Linear Perspective from Rubens to Turner
Machines and Marvels
Seeing, Knowing, and Creating
Color
Coda
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Meyer Schapiro:
Words, Script, and Pictures: Semiotics of Visual Language ****************************************************
The Artist's Reading of a Text
Theme of State, Theme of Action
Frontal and Profile as Symbolic Form
Script in Pictures
Conclusion
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Georg Simmel:
Rembrandt: An Essay in the Philosophy of Art ****************************************************
Rembrandt: The Expression of Inner Life
Individualization and the General
Religious Art
Conclusion
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Eric Kandel:
The Age of Insight
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Preface
Vienna, 1900, An Inward Turn
The Depiction of Modern Women's Sexuality (Klimt)
The Depiction of the Psyche in Art (Kokoshka)
The Fusion of Eroticism, Aggression, and Anxiety (Schiele)
The Top Down Processing of Information
The Artistic Depiction of Emotion
The Beholder's Share
Conclusion
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Ernst Gombrich:
The Preference for the Primitive
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Introduction
Plato's Preferencs
The Ascendency of the Sublime
The Pre-Raphaelite Ideal
The Quest for Spirituality
The Emancipation of Formal Values
The Twentieth Century
Primitive in What Sense
Conclusion
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The Blue Rider Almanac
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Franz Marc
David Burliuk
August Macke
Roger Allard
Erwin Von Busse
Obituary for Eugen Kahler
Kandinsky: On the Question of Form
Vasily Rozanov
Preface
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Kandinsky : Concerning the Spiritual in Art ****************************************************
Concerning the Spiritual in Art
****************************************************
Sventlana Alpers' "The Art of Describing:
****************************************************
The Science of Art: Introduction
Linear Perspective from Brunelleschi to Leonardo
Linear Perspective from Durer to Galileo
Linear Perspective from Rubens to Turner
Machines and Marvels
Seeing, Knowing, and Creating
Color
Coda
****************************************************
Meyer Schapiro:
Words, Script, and Pictures: Semiotics of Visual Language ****************************************************
The Artist's Reading of a Text
Theme of State, Theme of Action
Frontal and Profile as Symbolic Form
Script in Pictures
Conclusion
****************************************************
Georg Simmel:
Rembrandt: An Essay in the Philosophy of Art ****************************************************
Rembrandt: The Expression of Inner Life
Individualization and the General
Religious Art
Conclusion
****************************************************
Eric Kandel:
The Age of Insight
****************************************************
Preface
Vienna, 1900, An Inward Turn
The Depiction of Modern Women's Sexuality (Klimt)
The Depiction of the Psyche in Art (Kokoshka)
The Fusion of Eroticism, Aggression, and Anxiety (Schiele)
The Top Down Processing of Information
The Artistic Depiction of Emotion
The Beholder's Share
Conclusion
****************************************************
Ernst Gombrich:
The Preference for the Primitive
****************************************************
Plato's Preferencs
The Ascendency of the Sublime
The Pre-Raphaelite Ideal
The Quest for Spirituality
The Emancipation of Formal Values
The Twentieth Century
Primitive in What Sense
Conclusion
****************************************************
The Blue Rider Almanac
****************************************************
Franz Marc
David Burliuk
August Macke
Roger Allard
Erwin Von Busse
Obituary for Eugen Kahler
Kandinsky: On the Question of Form
Vasily Rozanov
Preface
****************************************************
Kandinsky : Concerning the Spiritual in Art ****************************************************
Concerning the Spiritual in Art
****************************************************
Sventlana Alpers' "The Art of Describing:
Dutch Art in the Seventeenth Century"
****************************************************
Introduction
Constantijn Huygens and the New World
Kepler's Model of the Eye
The Craft of Representation
The Mapping Impulse
The Representation of Text
Epilogue
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Martin Kemp
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Living with Leonardo
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Thierry De Duve
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When Form has Become Attitude
Presentations
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Clive Bell
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Clive Bell: Art
****************************************************
Franz Schulze
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Made in Chicago : A Revisionary View
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Norman Bryson: Word and Image :
Introduction
Constantijn Huygens and the New World
Kepler's Model of the Eye
The Craft of Representation
The Mapping Impulse
The Representation of Text
Epilogue
****************************************************
Martin Kemp
****************************************************
Living with Leonardo
****************************************************
Thierry De Duve
****************************************************
When Form has Become Attitude
Presentations
****************************************************
Clive Bell
****************************************************
Clive Bell: Art
****************************************************
Franz Schulze
****************************************************
Made in Chicago : A Revisionary View
****************************************************
Norman Bryson: Word and Image :
French Painting of the Ancien Regime
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Preface
Chapter One : Discourse, Figure
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Preface
Chapter One : Discourse, Figure
Chapter Four : Transformations in Rococo Space
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Kermit Champa: The Rise of Landscape Painting in France
Corot to Monet
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Two Introductions
Essay by Fronia Wissman
Photography and the Japanese Print
Catalog: Bazille to Corot
Catalog: Courbet to Jongkind
Catalog: Michel to Troyon
Conclusion
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Paul Crowther : The Phenomenology of Modern Art
Origins of Modernism and the avant garde
Merleau-Ponty's Cezanne
Interpreting Cubist Space
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